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BLOOD CULT (1985)
Charlie's Review (cont.):
As with so many of our ShockMarathon movies, Blood Cult opens
with a prologue that involves none of the main characters save the killer
(whose identity is kept secret). POV shots take us on the killer’s
journey through a house; footage intercut with shots of a girl taking
a shower. It seems that the actress might be one of the filmmakers’
sisters as the camera deliberately steers clear of showing us anything
too racy. But the poor girl is inevitably offed and the plot is in motion:
a killer is loose on a college campus!
The police quickly descend; the investigation spearheaded by a grandfatherly
Sheriff (portrayed by Charles Ellis), a man who resembles a slightly dazed,
elderly sea turtle. The college president informs the Sheriff, “We
do not need a serial murderer on this campus.” A bold position,
but true. Isn’t it amazing how many movies have, as a key element
of their plot, some sort of killer on the loose, and a bureaucrat who
wants to keep the whole thing quiet? This Jaws scenario continues
to be copied to this day.
Back to our Sheriff. Not only does he seem a very unlikely policeman,
he also doesn’t strike me as having a chance at being elected to
Congress. And yet that is exactly what he hopes to make a run for after
finishing up his last few weeks on the job. The Blood Cult universe
is an amazing one—a radical place where feeble elderly men are superheroes.
Rarely do actors like Charles Ellis get cast in lead roles. He looks as
if he is constantly trying to remember something, like what was he supposed
to pick up at the grocery store, or who won the National League pennant
back in ’58. I can’t be sure, but it looked as if he might
have been helped by cue cards during a few scenes. All of his confusion
and feebleness work to his advantage, however, and make him a likeable
and entertaining character. You can’t wait to see how this guy will
react in various situations.
It seems that a golden medallion, bearing a wolf-like embossed image,
has been found at each murder scene. Looking for info regarding this evidence,
Sheriff heads over to the library to visit his daughter Tina, a campus
librarian. Tina is the most rotund actress I have ever seen on-screen.
She has a generally beat-down, slovenly air about her, as if she has just
woken up and can’t wait to get back to bed. I can only imagine that
she smokes in bed too, letting the ashes fall where they may, and then
rolls around in them throughout the night. Once awake, I envision that
she forgoes a shower, eats a breakfast of pork rinds and Jolt, and then
heads over to the library.
At various points throughout the movie, Tina meets up with her boyfriend,
the lanky and oily Joel. Though annoying and disgusting, Joel is one of
the more entertaining characters of our festival. Wherever Joel and Tina
find themselves seems like a good place for making out. These scenes aren’t
pleasant.
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